{"product_id":"bruce-springsteen-nebraska","title":"Bruce Springsteen — Nebraska","description":"\u003ch4\u003e180-Gram Heavyweight Vinyl\u003c\/h4\u003e\n\u003cp\u003eWhat do you get when you put The Boss in a rented room with a four-track recorder, some “black bedtime stories” and an acoustic guitar? You get \u003cem\u003eNebraska\u003c\/em\u003e, a singular record that swirls with raw tales of corrupt cops, outcasts and criminals — including mass murderer Charles Starkweather, whose 1950s killing spree in Lincoln, Nebraska, gives the album its name.\u003c\/p\u003e\n\u003cp\u003eAt the time, \u003cem\u003eNebraska\u003c\/em\u003e got no airplay and didn’t sell particularly well. But it has gone on to earn its spot as an acoustic triumph. The album’s unique alchemy wouldn’t find voice again until 1995’s \u003cem\u003eGhost Of Tom Joad\u003c\/em\u003e and \u003cem\u003eDevils \u0026amp; Dust\u003c\/em\u003e 10 years later. The songs for \u003cem\u003eNebraska\u003c\/em\u003e were originally recorded as demos, with Bruce planning to lay them down with the E Street Band. After carrying the finished cassette around for weeks — and some unfruitful studio sessions with the band — he decided to release the songs as is: sparse, raw and urgent. Interestingly, some of the numbers the band worked through in March and early April 1982 went on to form the bedrock of 1984’s \u003cem\u003eBorn In The USA\u003c\/em\u003e, including the title track, “Cover Me” and “Downbound Train.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReleased: 6\/16\/15\u003c\/em\u003e\u003c\/p\u003e","brand":"AMI\/AMS\/MONO","offers":[{"title":"Default Title","offer_id":58745940738432,"sku":"888750142719","price":8.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/1384\/1792\/files\/Bruce-Springsteen-Nebraska-vinyl-record-front_124694d8-add1-4d60-9005-128bb45747f8.jpg?v=1787903456","url":"https:\/\/vinylvers.com\/products\/bruce-springsteen-nebraska","provider":"My Store","version":"1.0","type":"link"}